- Premiering a show on one night, to much fanfare and applause, and then immediately have the first non-pilot episode on a different day at a different time.
- Moving a show's day and time from season to season. I think more people are like me-- wanting things to remain the same and easy to remember-- than those who are willing to follow a show to whatever day/time networks move it to. And, frankly, the fact that when they move a show its ratings go down and the act of moving it is generally a sign of imminent cancellation backs me up.
- The fact that networks don't give shows a half- or full season to catch on with an audience. Some shows have to grow on you, like fungus, over time. These days, Seinfeld would never make it-- people forget that it didn't do well its first season. It wasn't until its third season that it really started to get the big ratings.
- A show with a 4-6 rating has a solid base and is more highly rated than most shows on all the various cable channels, yet the big four tend to cancel these shows. Now, I grant that frequently these shows are costing a lot of money and the ad revenues they bring in may not justify the cost, but I think the networks can afford to keep around most shows that are in that ratings range. Shows like Studio 60, Veronica Mars, Firefly, etc. have a loyal audience, but not a blockbuster sized audience.
- That networks overpay their talent and then cancel the show when the ratings dip to less stellar (but still good) ratings. Maybe more networks need to press for a ratings-based incentive plan. Say, for example, on a show like Studio 60, where you have an ensemble of highly respected stars and newbies. Maybe you pay your big stars $25k an episode to start, with ratings-based incentives (if we reach an 8.0, you get a $25k a show bonus, a 10.0 achieves a $50k per show bonus, etc.). That way, it is in everyone's best interest to have a great show, but if the ratings start to fall, the cost to produce the show also falls (to a degree).
The problem with making non-series type shows into series is that they inevitably fall from good drama or comedy into melodrama and stale, repetitive comedy. With DVD sales what they are now, I would think doing these mini/maxi-series would be even more advantageous.
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