Music

While I greatly enjoy alternative rock, Top 40, Heavy metal, and other genres, the music I always come back to is slow.

I like a wide range of slow music. From Tori Amos’ China to Marc Anthony’s You Sang To Me, Madonna’s Crazy For You and George Michael’s Father Figure to Alanis Morissette’s Mary Jane and Garbage’s Milk, and even power ballads like Guns and Roses’ November Rain. Old or new and across most genres, sad music speaks to me. I like slow music from the 50s through the 70s, from the 80s through today. There is something inherent in slow music that I respond to. I like the generally sad, lonesome themes and vulnerabilities that are expressed.

Another reason I enjoy slow music is that it requires better composition and singing than fast music. Slow music tends to show the imperfections in a singer’s voice and vocal range. It accentuates poor writing and musical composition.

People know a bad slow song the instant they hear it. It is very rare that a slow song is considered bad by only one group of people. Bad rhymes, poor vocal choices, a singer singing outside his or her ability or range, and poorly constructed music all conspire to show the faults of the song and highlight a bad singer.

For example, Madonna is not the greatest singer in the world. She does not have a great deal of range and her writing is often suspect. In her faster dance music she can get away with this because these songs are slickly produced and there are many tricks that may be used to hide the flaws. But in a slow song those tricks cannot be used and she is out there for all to see. Early in her career, she did the song Crazy For You for the movie Vision Quest. This is one of the all-time great slow songs. The song was perfect for her voice and the music was a great accompaniment to her vocals. It works.

On the other hand, Mariah Carey—arguably one of the best voices in recent years—has written some poor slow songs. Many of her more recent releases had odd lyrics, inappropriate uses of her seven octave voice (Mariah—just because you can hit seven octaves doesn’t mean you should or have to in every song!), and poor music to accompany her voice. And her last three albums have not done well as the audience can hear that and responds negatively to it.

Some singers and bands have a particular knack for hitting the right tone with slow songs and lose their audience when they move away from this. Boys to Men come to mind. Still others are known only for fast music and it takes a great, totally unexpected and vulnerable slow song to kick them to the next level. In recent years, Radiohead’s Creep and Green Day’s Time of Your Life come to mind.
The other main difference between most slow songs and most fast songs is the story they tell. Slow songs tend to tell a story and lead you somewhere, while fast songs can do this, they do not need to; fast songs are more about getting you moving and grooving and hooking you with a catchy refrain.

Harry Chapin’s Cats and the Cradle tells a moving story of a father and son and the gap in communication that they have and the regrets that form between them. The Goo Goo Dolls Iris sums up the entire plot of the movie City of Angels in one song, telling of the angel’s desire to become mortal for the love of a woman. Tori Amos’ China tells of the emotional distance between two people as their relationship is falling apart. John Lennon’s Imagine is a heartfelt wish for change for the entire planet.

Fast songs can tell a story. But for every Metallica Enter Sandman, Duran Duran Hungry Like the Wolf, and Eminem Lose Yourself, there are dozens and dozens of boy-band music, bad rap, and poor heavy metal.

Slow songs can often be redone for a new audience and hold up extremely well over time. Oasis’ Wonderwall, the song primarily that propelled them to stardom in America, was redone even slower in an acoustic version by Ryan Adams and is just as good. Many hits from the 70s and early 80s have recently been remade and have been hits again. One of the best examples is I Will Always Love You. This song had been a minor hit for many individuals. Then Whitney Houston did it for the movie The Bodyguard and it became an instant wedding classic.

Slow songs are always the music I fall back on. They are the soundtrack of my life, more than any other style or genre of music.