Shaky-cam is ruining good films. Take The Hunger Games. A very good adaptation of a popular book that has good stars (Jennifer Lawrence, Liam Hemsworth, Josh Hutcherson, Elizabeth Banks, Woody Harrelson, and Donald Sutherland). The writers did a good job of paring down the book's plot and characters for the movie (although I think they left out some things that may become important in Catching Fire, later). The two things that make this movie annoying as hell to watch are the use of shaky-cam and the quick edits.
I have said it before, shaky-cam is the last bastion of the inept director. If a director feels that he needs to use shaky-cam to "get you into the action" or "make you feel a part of the action" then that director has failed his audience. The large screen in the theater, the acting, the story, and the shared experience is what gets me into the movie, not your ability to shake what has become my entire visual field in the dark environment of the theater. All that does is make me sick to my stomach.
Gary Ross, the director of The Hunger Games, also uses very quick edits and blurring effects in addition to the shaky-cam. The end result becomes action sequences that may be thrilling... but the audience does not know because they cannot focus on anything long enough to see what is going on. The constant shaking of the field of vision makes many nauseated and left unable to watch what is on the screen, for minutes at a time. Last time I check, movie watching was a visual activity. If you stop your audience from seeing and watching, what, then, is the point?
What is more interesting about this movie is that Ross uses a steadicam just as often as he uses shaky-cam. So you have a scene where Katniss is running through the forest using shaky-cam, then fireballs fly at her using steadicam, then more running with shaky-cam. The switches between the two make the shaky-cam work seem even worse because your brain has a moment to stop and process everything and start to relax.
Worse yet, the first 45 minutes or so of the movie have the worst shaky-cam use. Then it calms down for a while and you get more comfortable, and then the action starts up and it is sort of hit or miss whether a scene will use shaky-cam. This inconsistency, as mentioned above, makes the return of shaky-cam more jarring.
Back to the quick edits. I have watched music videos. They use so many quick cuts that you would think that someone with ADD would have trouble paying attention. Yet, in some scenes, The Hunger Games makes these look tame. The edits are so fast, and often involve going from lighter to darker scenes and blur effects, that your eyes cannot adjust to the changes quickly enough to realize what you just saw. In some ways, it almost seems like Ross is going for subliminal action scenes... if he cuts fast enough you get the impression of action without him actually having to film action.
Taken as-is, I would have to give The Hunger Games no more than a B-. I think it has an A cast, a B+ script, an A for music and general effects, an A for costuming, and an A for how closely they kept to the actual plot and story of the source material. But Ross gets a C- for his direction and a D for the poor editing (overall) and jump cutting (specifically during action sequences).
All in all, if you have issues with shaky-cam making you sick, I would wait and watch this on the small screen where, I find, the field of vision is broader and the shaking on the TV screen does not cause as much issue.
Addendum:
Apparently Gary Ross is negotiating a new contract/deal to direct the second installment, Catching Fire, and the production company is hard-balling him. Good! At this point, my hope is that Ross would not be back and they would get someone who is better with action sequences to direct the next movie.
And, in case you are wondering, I have nothing against Gary Ross. He directed Pleasantville, one of my all-time favorites, and Seabiscuit, a pretty good sports story.
Second Addendum:
Gary Ross is out. He couldn't get the money he wanted, but is saying it was the aggressive turnaround time on the production that caused him to walk away. Now they can hopefully hire a director that is more comfortable with action sequences and one who doesn't need to rely on the schlocky shaky-cam.
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